Calendar and production
What gets published, when and why. The works set the rhythm: a month with new structure is told one way, a month of interior finishes another.
A development runs for two or three years and produces material every week that nobody uses. We run the social accounts of a development as part of the owned channel, not as a loose service: publishing is half the job, and answering is the other half.
The pattern repeats on almost every development on this coast. A profile is opened when the works start, the renders go up, the site board goes up, and two months later the last post is dated last year. An abandoned profile is not neutral: it tells the buyer the project has stalled.
The other pattern is the generalist agency posting three times a week whatever it takes to meet the contract: lines about sunshine, motivational quotes and stock photographs that are not of the development. It generates activity and not one enquiry, because it says nothing a buyer needs to know.
We do not sell posts by the bundle. The social accounts of a development have two concrete jobs: showing that the building is progressing, and being where the buyer asks questions. Everything else is filler.

There is no need to invent topics. A development produces, on its own, more content than can be published: the setting out, the structure rising a floor a month, the first slab, the facade, the pool being poured, the keys.
That material has a property no render has: it proves. And it works twice, because it reassures the buyer who has signed and still sees nothing, who is exactly the person who will recommend the development to a brother in law in Manchester.
It is not running the socials. It is a job with four parts, and the part that weighs most is not the visible one.
What gets published, when and why. The works set the rhythm: a month with new structure is told one way, a month of interior finishes another.
The same piece, written for each market. A German post is not the Spanish one translated: German buyers ask about deadlines and guarantees where Spanish ones ask about the beach.
The part almost nobody does. Comments and private messages answered in the language they arrive in, with a script agreed with you and a clear line on what we do not answer ourselves.
A message asking about price or availability is not answered from marketing: it goes to your salesperson with what we already know about that person, and it is recorded as an enquiry with its source.
Another calculation done in front of you, this time on what arrives through social. It exists to size the answering workload, which is the part always underestimated when the contract is signed.
The same neutral unit used on the new build marketing page, so the two calculations can be compared.
A click through rate between 2.5 % and 3.75 %, the upper end taken from the published real estate average on Meta.
Between 6 % and 11 % of those who click write something instead of filling in a form, and many write outside office hours. This is our own assumption: there is no serious public figure for it.
Real questions about price, availability or a viewing. The rest are curious neighbours and agencies testing the water. Filtering them is exactly the job, which is why it is measured and reported monthly.
We do not promise followers, reach or engagement. Those are figures that can be bought and that do not sell a home. What is measured here is how many useful conversations come in and what happens to them.
They have paid in advance for something that does not exist yet and they live two thousand kilometres away. A monthly progress photograph is worth more to them than to any prospective buyer.
Regular communication saves your team a stream of anxious calls. It is a saving that appears in no report and that your sales team notices.
In foreign markets a recommendation between compatriots weighs more than any advert. A satisfied British owner in Rojales is seen by other British buyers looking at the area.
When the keys are handed over, that list of happy people is the starting point of the next scheme. It is an asset, and it is yours.
Each piece can be read on its own, but they only work together: a website without languages reaches nobody abroad, and acquisition without measurement cannot be corrected.
What a developer needs that a generalist agency rarely understands: the cycle of a scheme, the off plan phase and the sales team.
The central asset. Why the development website is not the developer corporate site, and what goes inside it.
Multilingual structure, hreflang and international SEO, so you compete in the buyer home country and not only in Spain.
How enquiries come in, how each one is tied to its source and how you learn which channel paid for the keys.
Who buys, from where, in which language and at what point in the year they start looking.
The page that explains the whole thing: the borrowed channel problem and how an owned one is built.
It depends on the buyer, not on fashion. For the foreign buyer on this coast, Facebook and Instagram are still where they are, and for British buyers the local groups weigh heavily. LinkedIn serves the company, not the development. Being everywhere and posting little is worse than being properly on two.
We do not work by post count, and be wary of anyone selling it that way. The rhythm is set by what happens on site. One month there may be three things to tell and the next none, and forcing a post when there is nothing to say is what empties an account.
We do, in the language they arrive in, with a script agreed with you. What we never answer is final price, reservation terms or anything that commits a sale: that goes to your salesperson with everything we already know about that person.
Yes, from day one, like the domain and the website. They are created in the developer name and we work with access. The day we stop working together there is nothing to claim back or rescue.
Both, but at different moments. Off plan it brings volume that has to be filtered. During construction it is mostly proof that the project is moving. On the last units it brings enquiries again, because by then there are real photographs to show.
Knowing what phase the works are in and what photographic material already exists is enough to say, in one conversation, whether opening a profile for the development makes sense yet.